Combining current and historic images

MIT outlines the process for "re-photography"

In our fast-changing world, it’s easy to forget what once stood at, say, the site of a new skyscraper, or what the neighborhood liked like before that new condo.

However, systems for superimposing a historic photo on a current photo can show just what has changed, providing valuable context — and some cool imaging tech.

At the Massachusetts Institute of Technology, new work in computational re-photography combines a laptop PC, camera, and software to do the superimposition in real time. The “visual homing” software compares the current view from the laptop-connected camera to an historical scene, and instructs how to adjust the camera’s position and zoom to best match the scene.

A historical photograph paired with a well-aligned modern “rephotograph” can serve as a compelling “then and now” visualization of the passage of time, writes one of the MIT researchers behind the technology. “However, the task of rephotography is tedious and often imprecise, because reproducing the viewpoint of the original photograph is challenging. The rephotographer must disambiguate between the six degrees of freedom of 3D translation and rotation, and the confounding similarity between the effects of camera zoom and dolly.”

To overcome those challenges, the MIT team developed “a real-time estimation and visualization technique for rephotography that helps users reach a desired viewpoint during capture. The in- put to our technique is a reference image taken from the desired viewpoint. The user moves through the scene with a camera and follows our visualization to reach the desired viewpoint. We employ computer vision techniques to compute the relative viewpoint difference. We guide 3D movement using two 2D arrows. We demonstrate the success of our technique by rephotographing historical images and conducting user studies.”

Full details are here: http://people.csail.mit.edu/soonmin/rephoto/rephoto.pdf

In Britain, a self-described “social movement” named We Are What We Do received funding from Google to build on Google Maps and Street View and develop “Historypin,” which it describes as “a digital time machine that provides a new way for the world to see and share history.”

Historypin is an online tool enabling people to upload images and ‘pin’ them to a particular location on Google Maps and Street View. Users layer their old images onto modern Street View scenes, revealing a series of windows into the past. “Individuals will be encouraged to include a date and story behind their image, and invite others to share images of similar historical moments to create a narrative,” the group says.

Users can upload, review, comment on and share images. Pictures are dated and geo-tagged before placed atop modern Street View photography. “The result is a fascinating snapshot of the changing face of local streets and well known landmarks… and provides a new perspective on historic moments,” the group says.

The site has ambitions to become the world’s largest user-generated archive of historic images and stories, “providing easy access to digitized history stretching from the invention of the camera to yesterday.”

Historypin launched in London in June, and will spread further “in the next few years.”

We Are What We Do is a not-for-profit founded in 2004.

Pin an historical photo atop its current counterpart.

New Fujifilm cameras add “phase detection pixels”

Fujifilm's F300EXR.

Fujifilm says its upcoming compact, the fashion-oriented FinePix Z800EXR “takes photos that look as good as the camera does.”

The company says new “phase detection pixels” enable high speed auto focus — as fast as of 0.158 seconds. Added onto the 12-megapixel sensor, the phase detection pixels “work like external sensors on DSLRs,” the company says.  “The Z800EXR automatically selects the better focus system (contrast or phase detection), by measuring the amount of light or contrast in the scene.  The benefit for the photographer is immediate and obvious – an almost instantaneous capture of the subject in the frame, with no missed shots or subjects half out-of-frame.”

Also, the display’s “Dual Direction” user interface detects the orientation of the camera and automatically switches the direction of the menu button accordingly, Fujifilm says, and the “Dual Image Display” splits the screen in various ways to view multiple images at once, “so you can scroll through your images quickly and easily to locate the one you are looking for.”

Also aiding in antiblur is intelligent image stabilization, enhanced with a gyro sensor, Fujifilm says, and sensor shift stabilization which counteracts hand shake.  “By cleverly combining these two, blur is reduced to an absolute minimum,” the company claims.

The $230 camera has a 3.5-inch touchscreen with one-touch focus and shooting,  and a 5x optical zoom lens is the 35mm equivalent of 36-180mm.

Next in the company’s Fall line is the FinePix F300EXR, which also has the hybrid high speed auto focus and intelligent image stabilization features, but takes the zoom up to a 15x lens, which starts at an extra-wide 24mm equivalent — while maintain a thin chassis at 23mm.

Also, the “Pro Focus” mode takes multiple exposures, which are combined to create “a crisp shot of the subject against a defocused background and foreground,” Fujifilm says. It is “ideal for portraits, nature photography or any subject that needs ‘lifting’ from its background, and provides satisfying professional results at the touch of a button.”

The $330 camera has a 3-inch LCD.

The S2800HD has a higher resolution 14-megapixel sensor, but lacks the new image capture tech of the two other models. It does however offer an 18x optical zoom that starts at a wide 28mm equivalent while still fitting “in the palm of the hand,” Fujifilm says. It has a 3-inch LCD and a price of $260.

Also out this Fall is the FinePix JX280, a 14-megapixel camera with a 5x lens and 2.7-inch LCD.

The cameras all capture HD video at 720p, and are due in early September 2010.

Complete camera specifications are at:  http://www.fujifilm.com/products/digital_cameras/

Panasonic previews fall Lumix line

Panasonic calls its new top-of-the-line compact model “a powerful hybrid that can shoot video and still photos with ease and professional-like quality.”

The DMC-FZ100 captures full 1080 HD video. With its mechanical shutter it captures 11 still frames per second at its full 14-megapixel resolution. That burst rate goes up to 60 frames per second at a lower 3.5-megapixel resolution. The $500 camera also has a long 24x optical zoom and a 3-inch pivoting LCD.

The LX5 is billed as “the ultimate compact, high-performing digital camera.” It has a short 3.8x optical zoom, but it starts at a nicely wide 24mm, and has a bright F2.0 lens. The 10-megapixel CCD has an expanded dynamic range as compared to its predecessor, letting the LX5 shoot video in brightness as low as 3 lux. Also, the new image processor has “triple CPUs,” the company says, to “dramatically speed up processing while achieving exceptional noise reduction performance.” The $500 camera also has a 3-inch LCD.

The FZ40 features “Intelligent Resolution” technology, which Panasonic says “leads to optimum signal processing, giving images outstanding natural clarity, specifically focusing on the finer details.” The 14-megapixel camera has a 24x optical zoom that starts at a wide 25mm equivalent, with “Sonic Speed” auto focus. Manual controls include shutter speed and aperture. A new video divide function separates clips into two sections to shorten or delete unwanted parts. The $400 camera has a 3-inch LCD.

The FX700 also captures 1080 high definition video. The 14-megapixel model has a 3-inch touchscreen, and a 5x optical zoom that starts at a wide 24mm equivalent. It’s $400.

The rugged TS10 is waterproof to approximately 10 feet, shockproof to 5 feet, dustproof, and freezeproof to 14˚F. The $250 camera has a 4x optical zoom lens, 14-megapixel sensor, and 2.7-inch LCD.

More information on all the cameras is at: http://www.panasonic.com/lumix

Samsung jumps for DualView cameras

The new DualView's display is larger.

Samsung Electronics’ newest 14 megapixel DualView cameras have larger front LCDs than their predecessors: 1.8 as compared to the 1.5-inches.

Larger front LCDs make it easier for consumers to properly frame themselves in their photos and videos, the company says, “and be part of the action by stepping out from behind the camera and joining friends and family in front… ensuring they have the ability to take the perfect profile shot, and never have to miss that perfect picture moment with family and friends, even if they’re not behind the camera.”

Samsung adds that “consumers immediately recognize the value of what our dual LCD technology can do for them. There is no learning curve or technical understanding that must be achieved.”

The newest feature incorporated into the front LCD screen: “jump shot” mode, with a visual indication to those in front of the camera to jump in unison, and a three-image capture to show everyone “essentially freeze in mid-air.”

Both cameras are compact models, measuring about 4 by 2.4 by .8 inches

The ST100 has an internal 5x optical zoom lens that starts at a narrow 35mm equivalent, for $350.

The ST600’s 5x zoom starts at wider 27mm and extends out of the camera, for $330.

Google enlarges its Image search

Google has improved the image display in its search.

For many searches, the best answer isn’t text, says search leader Google. “It is an image or a set of images.”

The quantity and variety of images on the web has ballooned since 2001, writes Google Images product manager Nate Smith, and images have become one of the most popular types of content people search for.

When Google Images launched in 2001, it’s index had a few million shots; there are now more than 10 billion images.

The update to Google Images makes the most of all those images, as well as “modern browsers and high-res screens,” Smith says.

The improved dense tiled layout makes it easier to look at lots of images at once. “We want to get the app out of the way so you can find what you’re really looking for,” Smith says, and the site now shows up to 1,000 images, all in one scrolling page.

Also, thumbnail previews on the results page are larger, and a hover pane over the thumbnail gives an even larger look at eh image without leaving the Google search page.

Smith also notes the computer vision technology behind the “Similar images” tool and “Similar colors” refinement. “It takes some heavy-duty algorithmic wizardry and processing power for a search engine to understand what the items of interest are in all the images out there.”

“You Gotta See This!” iPhone panorama software

Boinx tracks where the iPhone is aimed for each photo, and places the shots together appropriately.

Boinx Software says its “You Gotta See This!” photo software for the iPhone 4 captures all different plains and rotations in 3D space, and quickly assembles snapshots “into brilliantly artistic collages… and visually spectacular photo compilations.”

The $2 App  uses the iPhone’s new gyroscope to allow users to record their surroundings in a “virtually arbitrary motion.” It determines the camera’s orientation, and records the positioning of each captured image “to create dreamlike spatial collages. The images come together to create seemingly abstract and emotionally stimulating visual representations of everyday atmospheres.”

Users need “never again wonder how to accurately share the scenery of a buzzing city atmosphere, an energetic sporting event, or a lively party with your friends,” the German company says, as they can “capture surroundings and share everyday experiences in a unique new way never before possible with any other consumer camera.”

Movie maker for the social media user

“The average consumer is making and sharing videos more than ever before,” says software developer muvee. “We created muvee Pixie for those users to get their story out on social networks quickly and easily while sitting in Starbucks.”

muvee Pixie is the latest addition to the company’s line of automatic video editing — this one aimed at the “social media-savvy Netbook user.”

The $30 program uploads to Facebook, YouTube, or iPhone in a click. Users can create videos in three steps: upload photos and video, select a style, and choose music. muvee Pixie then “automatically mashes them up to create a video synced to the beat of the music.”

Pixie was designed to be Netbook friendly, with a mini interface that displays comfortably on smaller Netbook screens, the company says, eliminating the need to scroll up, down and sideways excessively.

“Capturing video is just one step of the process,” the company says. “To tell their story, some editing is always necessary, but it doesn’t have to be painful.”

“Photos” from 3D: Luxion lights and renders Alibre 3D models

Not a photo — a rendered 3D model.

3D modeling software maker Alibre says the KeyShot 2 photo realistic lighting rendering technology “creates photographic images from 3D models with realistic lighting, giving anyone with 3D data the ability to create a photographic image in a matter of seconds, regardless of the size of the digital model.”

KeyShot 2 is a new real-time interactive ray tracing lighting and global illumination application from Luxion, and will be bundled with Alibre Design Expert and Professional 3D CAD software, which is priced under $600.

With the bundle, Alibre says its customers can “create and render images that are indistinguishable from professional photographs of actual physical products. This means that they can show their customers how a product will look prior to incurring the expense of actually creating a physical prototype, thereby saving thousands of dollars and increasing sales by showing a compelling representation of the final product.”

Canon prints from HD video

Canon debuted five new printers with a “high definition movie print” feature that prints individual frames of movies “to bring hard-to-capture, memorable moments to life.”

Prices range from $70 to $150, and include wireless and all-in-one scanner combination models.

Largest CCD array to launch

The Gaia spacecraft launches in 2012.

The largest focal plane array ever to be flown in space will contain a mosaic of 106 large-area, high performance CCD imaging sensors made by UK-based e2v.

The CCDs will be operated synchronously, effectively working as a near gigapixel array, the company says. The CCD package is 3 sided buttable, to minimize the dead space between CCDs when they are tiled together in the mosaic.

It will be built into the Gaia satellite, due to launch in 2012 from the European Space Agency. It will map 1 billion objects in our galaxy “with unprecedented accuracy.”

Sony details first interchangeable lens compact camcorder

Sony's compact camcorder works with interchangeable lenses.

Sony first hinted at its upcoming interchangeable lens camcorder last May, with scant details and a CGI illustration… This week the company provided photos and details on its NEX-VG10, which it bills as “the world’s first consumer camcorder with interchangeable lenses.”

The $2,000 camcorder will ship in September. It truly blurs the lines between video and still cameras: It will have the same Exmor sensor, processor, and “E” lens mount as Sony’s just-released NEX line compact of interchangeable lens cameras. It also captures both 1,920 by 1,080 HD video and 14-megapixel still images with that sensor, which Sony says is “approximately 19.5 times bigger than the standard sensor found in conventional camcorders.” The APS-sized CMOS sensor enables extremely shallow depth of field to provide videographers “cinematic results with stunning background defocus,” Sony says.

The NEX-VG10 has manual controls for shutter speed, iris, ISO sensitivity/gain, and white balance

It comes with an 18-200mm lens with optical image stabilization, and has a swiveling 3-inch LCD.

One other striking new feature: a “quad capsule spatial array” stereo microphone “uses advanced processing algorithms to combine signals from four individual microphone capsules,” Sony says. “The result is exceptionally clear stereo audio with high directional response, allowing videographers to capture more sound from their subject and less background noise.”

Barbie shoots video

An LCD on the doll's back displays the low-res video.

Young filmmakers can now play with dolls: the latest Barbie has a working video camera hidden inside its necklace.

The $50 “Video Girl” 11.5-inch doll also has an LCD on its back, and AAA batteries in its legs.

Don’t hope for HD, however: Barbie only captures 320 by 240 resolution video.

Canon’s touchy camcorder

The Vixia HF M32 is Canon’s latest compact HD camcorder. It has both 64GB of internal flash memory and an SD storage slot.

The $999 camera’s Touch  Track feature lets users select a subject on the touchscreen which will then be recognized and tracked, as it recognizes faces, objects, and animals, “ensuring the subject will always be in focus and properly exposed,” the company says.

Nikon to go mirror-free?

As we approach the holiday shopping season and Photokina 2010, many in the camera industry believe both Nikon and Canon will introduce ILC models — and last week reports surfaced that Nikon may soon preview a concept camera.

Likely new features include improved HD video capture, and perhaps a mirrorless design along the lines of recent ILCs from Olympus, Panasonic, and Sony that offer interchangeable lens capabilities without the mechanical mirror of the old single-lens reflex designs.

The Bloomberg news service and other online sources report new Nikon president Makoto Kimura says the company is developing concept cameras to be unveiled by the end of its fiscal year.

Also: The Nikkei Business Daily reports Nikon will work more closely with online and mobile companies to increase its photo sharing and storage offerings.

Shutterfly selects Sorenson for Video service

Online photo service Shutterfly selected Sorenson Media as its video services partner. Sorenson says its 360 online video platform will power video services such as upload, transcoding, standard and high-definition playback, and download in Shutterfly customer accounts and on Shutterfly’s Share sites.

Customers can upload up to 10 video clips in any format. Videos can be posted directly to any personalized Shutterfly Share site, emailed or shared on Facebook, Twitter, MySpace, Blogger, etc. Shutterfly also offers a paid service for unlimited video storage, larger file sizes, HD-quality playback and other options for $30 per year.

Sorenson Media says its video encoding and management solutions “dramatically improve the online video experience for content creators, managers and consumers alike.”

Snapfish photo site acquires Motionbox video service

HP’s photo service Snapfish acquired Motionbox, an online video sharing and editing provider.

The acquisition will enable Snapfish to expand its online video offering, the company says. “Video is a critical component of digital memory sharing today, and Motionbox’s technology will enable our Snapfish customers to create great personal video memories.”

Motionbox says it has “always envisioned a service that would enable customers to manage all of their digital memories — still photos as well as videos — in one place, unlocking even more creative ways to share unforgettable moments with friends and family. We believe that Snapfish can make this vision a reality for millions of people around the world.”

The Motionbox video technology platform has a reported 2.8 million members. The Motionbox.com website will shut down August 10th, 2010. Hosted videos  will not be available after that date, the company says.

The web photo sharing and printing site Snapfish was acquired by HP in 2005. Snapfish now reports more than more than 85 million registered users in 22 countries and more than 10 billion unique photos stored online.

Web picture editing: Picasa goes on a Picnik

What photo can't be improved with a mustache or two? Now Picasa can stamp on the stickers with Picnik's tool.

Earlier this year Google acquired the Picnik online photo editor. Now the company is integrating those tools into its online photo sharing service, Picasa Web Albums.

With Picnik, users can apply effects, add virtual stickers, “or exploring your own creative path with advanced tools,” Google says.

The basic tools are free; more advanced functions cost $5 a month or $25 a year.

Previously, Picasa functions worked only in the Picasa desktop application.

Interactive HDR editing

“While taking pictures, photographers need not to worry anymore about potentially incorrect exposures, white balances or lighting set-ups,” claims software developer Oloneo claims. “It is now a fast and easy process to modify lighting or to recover details in deeply under- or overexposed pictures.”

The Paris-based company says its PhotoEngine high dynamic range software provides full control over light and exposure in real-time. By merging multiple photos of the same scene, PhotoEngine offers “an almost unlimited control over exposure and lighting,” the company says. Photographers can “turn on and off light sources” and deeply re-expose pictures in 32-bits per channel, without compromising details and color appearances, “as if they were still behind the lens.”

Oloneo is inviting photographers “to take an active part in the final development stage” of Oloneo PhotoEngine for Windows by downloading the beta version at oloneo.com.

Tessera improves mobile video capture

Tessera improves mobile video capture

Tessera Technologies says it will enable clear, high-quality video capture for mobile devices such as camera phones, pocket camcorders and cameras with its video image stabilization and video face beautification capabilities.

The FotoNation Video Tools technology combines image processing hardware and software in a single solution to improve recorded video quality while reducing demands on system resources.

The hardware acceleration is used for computationally intensive tasks, with the remainder of the image processing carried out by the software. The hardware acceleration also can be used to improve the performance of other embedded image enhancement technologies, such as the FotoNation Panorama solution, Tessera says.

The two primary video tools:

Video Image Stabilization deals with challenges such as hand movement, as it “significantly improves video quality by removing or reducing the effect of jerks and frame jumps, at a much lower cost when compared to alternative solutions,” the company says.

High-definition video also exaggerates skin flaws and imperfections; the Video Face Beautification application softens skin tones and removes or reduces blemishes, automatically beautifying faces.

The video technology is available for licensing now.

YouTube crowdsources “Life in a Day” feature film

YouTube will combine short clips into a feature film.

YouTube is developing a collaborative video project that will utilize Hollywood talent — and the videography of just about everybody.

The company bills “Life in a Day” as “a historic cinematic experiment that will attempt to document one day, as seen through the eyes of people around the world.” The project aims to “collect all of these perspectives, to aggregate and mold them into the cohesive story of a single day on earth.”

The project asks participants to “capture a snapshot of your life on camera” on July 24, and upload the clips by the 31st.

Film director Kevin Macdonald and ten assistant editors will cut the most compelling footage into a feature documentary film, working with producer/director  Ridley Scott.

The film will premiere at the 2011 Sundance Film Festival, at which 20 selected contributors will attend.

All contributed video “will live on, on the “Life in a Day” channel as a time capsule that will tell future generations what it was like to be alive on July 24, 2010,” YouTube adds.

Scott’s production company will reportedly distribute 400 –500 cameras in 20 different areas in which most don’t have such hardware.

Sony’s single-lens multi-shot 3D panoramas

Sony's cameras provide 3D capture and simulated 3D viewing.

Sony unveiled two cameras that make impressive new uses of fast multiple image capture, billing them as “the world’s smallest 3D cameras,” measuring 3.9 by 2.3 by 0.7 inches.

Sony says it is “making it easy to create personal 3D content that can be enjoyed with friends or family on compatible 3D television systems.”

Most interesting here is that, unlike Fujifilm’s 3D camera, for example, which uses two lenses to capture two slightly ajar images for a 3D view, Sony is instead using one lens and sensor, but combining multiple subsequent frames.

The 3D Sweep Panorama captures a high-speed burst of frames in a sweeping motion, which are stitched together in-camera to create “detail-packed” 3D panoramas viewable on compatible 3D televisions, Sony says.

But that’s not the only option: there’s also a “Sweep Multi Angle” feature that captures 15 images at different angles, and then compiles them into one photo, which can be seen in simulated 3D on the cameras’ LCD, when the user tilts the camera back and forth.

And the multi-image functions aren’t limited to 3D:

The Superior Auto is “the world’s first auto mode that utilizes multiple shots,” Sony claims, to provide low image-noise levels previously only available from SLR cameras. In this mode, the camera automatically recognizes the correct scene, quickly takes multiple shots, and combine up to six shots to “produce images of greater quality than possible with a single shot.”

Sony combines multiple exposures to blur backgrounds.

The Background Defocus feature simulates depth of field control, so the user may blur the image’s background, “putting the emphasis on your subject and creating a bokeh effect,” Sony says. The camera takes two shots, identifies the background and applies a defocus effect “keeping your subject crisp and clear in the foreground.”

That is pretty impressive, and likely of more long-term appeal and use than the novelty of 3D.

The features debut in two cameras, each with a 12-megapixel backside-illuminated CMOS sensor.

The DSC-W5 has a 5x optical zoom lens and 2.8-inch LCD for $330.

The DSC-TX9 has a 4x optical zoom lens and 3.5-inch touchscreen for $400

Also announced is the DSC-T99, with a 14-megapixel CCD, 4x optical zoom lens, and 3-inch LCD for $250.

The three cameras also feature a new “Soft Skin” scene mode which smoothes facial skin tones, working with the camera’s face detection, and 1080 HD video capture.

YouTube revamps mobile video, eases desktop display

YouTube this week made three significant announcements: it has revamped its mobile video site; a beta “Leanback’ web design replicates the TV viewing experience; and the site now supported an eye-popping 4k video resolution.

Most significant here is the relaunched m.youtube.com, the mobile video website. With this effort, parent company Google is arguing that Web-based apps such as the new site can better serve the viewer than local apps such as YouTube’s own app for the iPhone.

The new site will provide better video playback quality with H.264 and HTML5, as well as a new UI designed for touchscreens, “making it easier to access videos on the go.” The new mobile site will also allow for monetizing individual videos, and offer “an improvement for users who want a more consistent YouTube across many devices, no matter where they are.”

YouTube Mobile provides more than 100 million video playbacks a day, the company says, “roughly the number of daily playbacks that YouTube.com was streaming when we joined forces with Google in 2006.”

Next up: “Leanback,” a new Flash-based video interface to make watching YouTube more like TV, with full-screen video display.

“YouTube Leanback wants you to conserve your energy for actually watching more videos,” a company engineer jokes on the YouTube blog. “YouTube Leanback is all about letting you sit back, relax and be entertained. Watching YouTube becomes as easy as watching TV. YouTube Leanback is currently in beta.

And finally: YouTube now supports for videos shot at 4096 by 2304 pixels — more than four times the size of 1080p HD video, and currently “represents the highest quality of video available.” However, the company notes “watching these videos on YouTube will require super-fast broadband.”

“Wonder Camera” coming from Canon — in two decades

The prototype camera from Canon captures high-resolution video and stills.

Canon demonstrated a new concept camera that captures extremely high resolution video, from which still images can later be derived.

“The Wonder Camera” premiered at the World Expo 2010 in Shanghai, in the Japanese Pavilion — with word that the hardware itself is not due for decades.

Canon’s concept cam reportedly combines video and still image capture, although little information and no specifications were offered. The unibody device is around the size of an SLR.

“The massive resolution of the camera was demonstrated on several occasions during the show,” reports Mike Hanlon at Gizmag, “taking a still image and zooming in on a very small and quite distant object in that wide vista to reveal incredible detail. From one image taken by the camera, the presenters on stage plucked dozens of portraits of people in the audience, using the camera’s image recognition capabilities to capture just those people who had smiled.”

Colorful underwater cam

The rugged camcorder captures 1080p video underwater.

Oregon Scientific says its latest rugged camcorder is tailor-made for sport enthusiasts shooting videos  “during life’s most exciting moments.”

Shock resistant and waterproof to 20 meters, the ATC9K Action Camera captures 1080p video and five megapixel still photos.

It has a 1.5-inch LCD, and comes with a remote control and a variety of mounts. The price was not announced.

3D Lens in a Cap

Loreo's cap clips onto an SLR lens to split a photo for later 3D viewing.

Loreo will turn an SLR camera into a 3D camera, with an accessory lens cap that splits the light from the scene into two images.

The $150 image splitter has a matched pair of lenses with a focusing range from one meter to infinity, the company says. It is a self-contained, integrated lens and reflector system that mounts directly onto the camera body and does not need any supporting lens. A $2 cardboard viewer held up to a monitor provides the basic stereoscopic view.