Adobe to update Photoshop CS5 security

Last week many criticized Adobe’s security bulletin that noted critical problems with the CS5 version of Photoshop — and which stated the vulnerabilities were addressed in the new CS6 software only. This week Adobe revised it notice, and will instead patch the previous program as well.

The vulnerabilities “could allow an attacker who successfully exploits these vulnerabilities to take control of the affected system,” Adobe says. “A malicious .TIF file must be opened in Photoshop CS5 and earlier for Windows and Macintosh by the user for an attacker to be able to exploit these vulnerabilities. Adobe is not aware of any attacks exploiting these vulnerabilities against Adobe Photoshop.”

Updates will be noted here.

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Kodak and Samsung ally on consumer inkjet printing

Kodak and Samsung Electronics formed a strategic alliance to sell consumer inkjet printers in Europe. Under it’s own brand, Samsung will sell all-in-one inkjet printers using Kodak’s printer and proprietary ink technology.

“This announcement reflects both the strength of Kodak’s technology in the consumer inkjet market, and the progress we have made in building a competitive business,” Kodak says. “Samsung is able to leverage Kodak’s leading technology and imaging science to launch its inkjet printer business. And Kodak is able to further grow its business. It’s a win-win.”

Samsung says it “can benefit from Kodak’s vast experience in inkjet technology. Now we can offer additional products in a segment below our laser printer line-up, where Samsung has not been present up to now.”

The printers have launched in Germany.

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Kodak consumer business president resigns

Kodak announced Pradeep Jotwani — president of the consumer business, chief marketing officer, and senior vice president — will resign from the company, effective May 31.

“We are grateful to Pradeep for his contributions in leading our Consumer Business and our brand management through a period of transformation, and we wish him well in his new endeavors,” the company says.

Laura Quatela was elected president and chief operating officer on January 1, and will assume direct responsibility for leadership of the Consumer Business.

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Adobe unveils faster Photoshop, Cloud subscription service

Adobe Systems says its new Photoshop CS6 includes “groundbreaking innovations and unparalleled performance breakthroughs that expand the frontiers of imaging science, and deliver new levels of creativity and increased efficiency.”

With Photoshop CS6, Adobe says, you can “correct, refine, and composite images with such ease and control it feels like magic. Work with state-of-the-art imaging in new tools and technologies that reinvent the way you retouch, crop, and auto-correct your images, create selections and masks of faces, and correct fisheye or wide-angle lens curvatures. These intuitive new tools help you achieve astonishing results in a minimal number of steps.”

New features of the $699 software include:

• Extended Content-Aware technologies, to “retouch, repair, and rework images with astonishing ease, control, and precision.” You can remove or move selected elements within your image, and then let the content-aware technology fill, patch, extend, or recompose your image… You can move or extend a selected object to another area of your image, and then watch as the tool automatically recomposes and blends the object. “Now you can reposition awkward elements to create better compositions, interactively extend the top of an image to change its format from horizontal to vertical, or increase the size of an object to make it more dominant in a design.”

• A new Crop tool, with which to “change the format of your images faster and with greater precision.” The hardware- accelerated Crop tool’s new design has multiple overlays, including Golden Ratio, Golden Spiral, Diagonal, Triangle, Grid, and Rule of Thirds, “to guide your crops and help ensure that key image elements are positioned at the focal point of your layouts.” It also works nondestructively: All pixels of the original photo are retained even after the crop has been applied.

• Video editing includes a timeline panel, audio controls, transitions, and even adjustment layers.

• Three photographic blur effects use “a simple new interface with intuitive, on-image controls,” and include the Iris Blur which adds one or more focus points to your photo, with which to move the on-image controls to alter the size and shape of the focus points, the amount of blur in the rest of the image, and the transition between sharp and blurred areas. There is also a Tilt-Shift option and a Field Blur.

• And the Adobe Mercury Graphics Engine, which takes advantage of the graphics processing unit in modern hardware to speed up imaging and editing tasks, and process large images faster.

 

Photoshop CS6 was released as a public beta on March 22, and Adobe says there have been nearly one million downloads of the software worldwide.

Also, the $999 Photoshop CS6 Extended version adds tools for 3D design, image and video editing, and quantitative analysis for medical, manufacturing and engineering industries. It has increased power and speed for 3D imaging, Adobe says, with user interface improvements for more efficient 3D workflows, as well as new Reflections and “drag-able” shadow effects.

 

Adobe also announced its Creative Cloud subscription service, giving creative customers “a new option for purchasing and experiencing Adobe software innovation.” Creative Cloud membership provides designers with access to download and install every new CS6 application, and access to application upgrades, including new Photoshop features before they are launched as part of a major update, as well as “inventive new products and services as they emerge,” the company says.

The 14 updated CS6 applications include Illustrator, InDesign, Dreamweaver, Premiere, and After Effects.

Adobe Creative Cloud membership is $50 per month with an annual membership, or $75, month-to-month.

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Adobe studies creativity gap

Research reveals a global creativity gap in five of the world’s largest economies, according to the “State of Create” global benchmark study announced by Adobe Systems.

Interviews with 5,000 adults “expose surprising attitudes and beliefs about creativity, providing new insights into the role of creativity in business, education and society overall,” the company says.

• Unlocking creativity is critical to economic growth, according to 8 in 10 of those polled, and nearly two-thirds of respondents say creativity is valuable to society.

• However, only 1 in 4 people believe they are living up to their own creative potential.

• Also, 75 percent of respondents said they are under growing pressure to be productive rather than creative, despite the fact that they are increasingly expected to think creatively on the job.

• Across all of the countries surveyed, people said they spend only 25 percent of their time at work creating.

• Lack of time is seen as the biggest barrier to creativity (47 percent globally, 52 percent in United States).

The study was produced by research firm StrategyOne, and conducted online with 5,000 adults, 18 years or older; 1,000 each in the United States, United Kingdom, Germany, France, and Japan.

The study is here.

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2016 Photography Market: $82.5 billion

BCC Research claims the photography market should reach $82.5 billion by 2016.

The global digital photography market was valued at $65.6 billion in 2010, and $68.4 billion in 2011, BCC Research adds. The 2016 prediction reflects a 3.8 percent compound annual growth rate.

Cameras and lenses account for the bulk of the photography market, the firm reports, representing 55 percent of global sales. This market segment was valued at $37.6 billion in 2011, and is expected to grow at a CAGR of 5.8 percent, reaching $49.8 billion in 2016.

The photo print industry is struggling to maintain growth, BVV concludes:. In 2016, the segment is expected to slide in sales, decreasing to $24.7 billion, down from $25 billion in 2011.

However, “Photography services account for several hundred billion more in revenues and the opportunities for providing these services digitally have become big business.”

More information is here.

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Sony transformation stresses imaging as a core business

Sony says it will reinforce its development of image sensors, signal processing technologies, lenses “and other key digital imaging technologies in which it excels,” as it plans to leverage these technologies in both its consumer products (such as compact digital still cameras, digital video cameras, and interchangeable lens digital cameras) and broadcast and professional products (such as professional use cameras and security cameras) in order to further strengthen and differentiate Sony’ overall product line.

The company says it also plans to extend the use of these key technologies across a wide range of business applications, from security to medical, to further expand the scope of its digital imaging business. Sony will target total sales of 1.5 trillion yen and double-digit operating income margin from the consumer, professional and image sensor businesses by FY14.

The move come as Sony announced a series of strategic initiatives to be introduced under the new management team established on April 1, 2012. Sony is positioning digital imaging, gaming, and mobile as the three main focus areas of its electronics business and plans to concentrate investment and technology development resources in these areas.

By growing these three businesses, Sony aims to generate approximately 70% of total sales and 85% of operating income for the entire electronics business from these categories by FY14.

Other steps include “turning around the television business,” creating new businesses, accelerating innovation, and realigning the business portfolio and optimizing resources

In mobile, Sony is integrating the R&D, design engineering, and sales and marketing operations of its smartphone, tablet, and Vaio laptop businesses in order to quickly develop and deliver compelling products to market.

Sony notes it is “largely a new entrant to the medical industry,” but has launched medical printers, monitors, cameras, recorders and other medical-use products, and will target sales of 50 billion yen in this market in FY14. Sony also plans to enter the market for medical equipment components, where its strengths in various core digital imaging technologies offer significant competitive advantages in applications such as endoscopes. Furthermore, Sony plans to enter the life science industry, where the Company can leverage its expertise in technologies such as semiconductor lasers, image sensors and microfabrication.

Sony says it is also drawing on its strengths in audio and visual technologies to aggressively promote the growth of “4K” technology, which delivers more than four times the resolution of Full HD video. “Incorporation of Sony-developed technologies, such as image sensors, image processing compression LSIs and high-speed optical transmission modules into its professional-use and high-end consumer products will pave the way for Sony to continue to expand and enrich its 4K-compatible product lineup,” the company says.

Finally, Sony confirmed it will “reduce headcount” across the entire Sony Group by approximately 10,000 in FY12.

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Scan printed docs with an iPad

Readdle has improved its Scanner Pro 4 for the new iPad, with a revamped interface and processing engine for “blazingly fast image processing,”

The $7 Scanner Pro transforms your iPhone and the new iPad into portable scanners, the company says. It allows you to scan checks, agreements, whiteboards, pages and even multipage documents. After scanning, you can email them or upload to Dropbox, Google Docs and Evernote. Automatic edge detection and advanced image processing help you to get great scans blazingly fast. You can adjust the crop area manually by tapping on the screen. All scanned document are produced as industry-standard PDF files.

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Photo book maker Blurb partners with CGX for B2B

Photo book service Blurb is expanding into more commercial fare: The company is now working with Consolidated Graphics CGX, which it says is one of the largest commercial printing business in the U.S., to deliver “high quality, low volume print runs for businesses.”

Blurb says it already does “millions annually in the B2B space, which is now the fastest growing part of the Blurb business.” But the opportunity is in the $1B range, “and represents a massive untapped segment of businesses and designers with pent up demand for print runs of this kind, with a quick turnaround time.”

Blurb and CGX will allow for smaller volume runs, one unit and up, and up to 75 percent faster turnaround, without sacrificing quality, the company claims.

 

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Acer ships ultraportable palm-sized pico projector

Instead of Full HD video, the C120 pocket-sized pico projector delivers only WXGA (1280 by 800) resolution — but it costs only $260.

Acer America says its new portable device is “ideal for business people, instructors and anyone who needs an incredibly portable projector to display clear, crisp images.” The C120 can project clearly from as close as 15.75 inches, and as far as 12.14 feet away, Acer adds.

The unit has a 1000:1 contrast ratio, and 60–120 percent NTSC color saturation, Acer says. The LED light is rated for a 20,000-hour life, and projects 75 ANSI lumens brightness when running on a PC’s USB power, or 100 lumens when on AC electricity.

“It is incredibly compact, so it can fit in a purse or briefcase,” the company says measuring 4.72 by 3.23 by 1 inches, and weighing 6.34 ounces.

More information is here.

 

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PlanOn offers pen-sized scanner

The ScanStik is the world’s smallest full-page color scanner, says manufacturer PlanOn System Solutions, which calls the compact device an “office in a pocket.”

Other pen-sized scanners scan a line at a time, the company says, but its ScanStik scans a entire page in one pass “just like a flat-bed scanner.” A full page takes 4 seconds. It can capture from150 to 600 dpi resolution, in color or black and white.

The $160 ScanStik measures 8.9 by 0.5 by 0.5 inches.

The company is headquartered in Mississauga, Ontario, Canada.

 

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HP merges imaging into PC business unit

HP’s Imaging and Printing Group was once the key source of the corporation’s profits. Now it’s being integrated into the computer division, or Personal Systems Group.

The combined Printing and Personal Systems Group will be run by Todd Bradley; longtime IPG head Viyomesh Joshi will retire.

The two divisions had been merged before in 2005, then split again soon after. Last year the computer group was a rumored spin-off possibility. HP is a leading PC and printer maker; printing supplies remain one of HP’s most profitable businesses.

The organizational realignment will “improve performance and drive profitable growth across the entire HP portfolio,” the company says.

Under Joshi’s leadership, IPG has grown revenue from $19 billion to $26 billion, and doubled its operating profit to approximately $4 billion, HP adds.

 

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Photoshop CS6 adds effects; free beta version available

In its first major release since April 2010, Adobe’s Photoshop is “packed with new features and huge performance enhancements,” the company says — and a free beta version is now available.

Photoshop CS6  features the new Content-Aware Patch which lets users select and duplicate an area of an image to fill in or “patch” another, and Content-Aware Move which select and “magically” moves an object to a new place in the image.

Adobe adds its new Mercury Graphics Engine enables near-instant results from tools such as Liquify, Puppet Warp, Transform and Lighting Effects.

 

“In less than one week of its release, we’ve seen over half a million downloads,” Adobe says.

The beta software is available here.

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HumanEyes files patent infringement lawsuit against Sony

3D imaging developer HumanEyes Technologies filed lawsuits asserting that certain Sony cameras, mobile phones, and related software infringe two of its patents on the creation and display of 3D images.

HumanEyes’ U.S. Patent Nos. 6,665,003 and 7,477,284 are based on inventions made at the Hebrew University of Jerusalem by company co-founder Professor Shmuel Peleg and his students, which generate 3D panoramic images by combining portions of multiple images recorded by an ordinary camera. “This discovery makes it possible to bring inexpensive 3D photography to digital cameras and mobile devices and was the basis for founding HumanEyes Technologies,” the company says.

HumanEyes asks the United States International Trade Commission and the United States District Court for the District of Delaware to institute an investigation into Sony’s infringement and to permanently bar Sony from importing the infringing products into the United States —including at least 32 of Sony’s Cyber-shot and DSLR digital camera models and at least 10 Xperia mobile phone models.

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Adobe adds book printing, video enhancements to Lightroom 4

With Photoshop Lightroom 4, Adobe Systems says it introduces “refined technology for superior shadow and highlight processing,” as well as photo book creation, additional local adjustment controls, and video tools.

New adjustment controls maximize dynamic range from cameras, recovering exceptional shadow details and highlights, Adobe says, with improved auto adjustments to dynamically set values for exposure and contrast. There are also local adjustment controls for noise reduction, moiré and white balance.

Lightroom now provides photographers the tools to “create beautiful photo books,’ the company says, with text controls and a variety of easy-to-use templates. It also links directly to the Blurb printing service.

Lightroom adds native video support to play, trim and extract frames from video clips. Video-specific presets and many standard Lightroom image adjustment controls can be applied to video clips, and adjusted videos can be exported as a H.264 file or published directly to Facebook or Flickr.

The photo management and processing program is now $149, which Adobe says is “an incredible value for photographers.” It first shipped for $299 in 2007.

More information is here.

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Tessera acquires Flextronic’s camera module manufacturing

Tessera Technologies’ wholly-owned subsidiary DigitalOptics will acquire the camera module manufacturing business Vista Point Technologies from Flextronics International.

“By adding this manufacturing capability, we will improve our ability to make and sell unique mobile camera modules with differentiated technology that can generate superior market demand,” the company says.

DigitalOptics will pay approximately $23 million in cash, subject to certain adjustments and costs at closing, for certain assets of Flextronics’s camera module business located in Zhuhai, China.

“The Zhuhai camera module business will allow us to drive rapid market introduction of DOC’s next-generation technology in a manner that complements our existing collaborations with camera module makers,” Tessera adds. “In parallel, we continue to have active discussions with multiple Tier One OEM manufacturers of mobile phones regarding our MEMS autofocus product, and remain on track to obtain a design win in the first half of 2012 and to begin high-volume manufacturing in the fourth quarter of 2012. We believe our disruptive MEMS autofocus technology will offer a uniquely competitive replacement for the magnetic voice coils in use today, while enabling cameras that are thinner, faster, have more accurate lens positioning and use far less battery power. Our goal is for DOC to become profitable in 2013.”

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Acer offers affordable HD home theater

Want to see movies, TV, and your own photos at home on a 300-inch screen? With the H6500 home theater projector, Acer is providing a bright, full HD video projector for $900.

The DLP projector offers “exceptional color fidelity even in environments with bright ambient light,” the company says. It can display 24fps 1080p video content from a Blu-ray Disc player via its HDMI interface, “making it the perfect projector for showcasing widescreen movies… and film viewing in the home is close to seeing it in a commercial movie theater.”

The projector provides 2,100 ANSI lumens and a 10,000:1 contrast ratio. With color compensation, it can project on any surface, even tinted and painted walls.

It weighs 5.6 pounds, and measures 10.6 by 8.1 by 3.3 inches.

More information is here.

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Corel VideoStudio edits HTML5

Corel says it is offering the first video editor to support HTML5, the web technology “that’s revolutionizing online video distribution and consumption.”

HTML5 video can be played natively within any browser, Corel adds, so it offers “a much more robust, flexible solution for developers who have been constrained by funneling content through plug-ins.” With VideoStudio Pro X5, “Users can generate hyperlinked on-screen cue and chapter points, graphics and titles, perfect for anyone looking to create a complete interactive on-line video experience,” the company says.

Also, the $80 VideoStudio Pro X5 supports up to 21 video or graphic tracks, two title or subtitle tracks, and four audio tracks. Its multi-threading can “fully harness the processing power of today’s multi-core PCs,” the company adds. “By assigning different software procedures to different cores, X5 generates speed gains that are significantly more pronounced than simply enabling the additional memory addressing capabilities of 64-bit systems.” And new screen recording tools let users create polished screencasts complete with animations, effects, music, titles and voice-overs, Corel says.

More information is here.

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Olympus, Panasonic both name new Presidents

Three weeks after the company forecast a record $9.7 billion net loss, Panasonic named Kazuhiro Tsuga as president. He had lead the company’s audio-visual products. Former president Fumio Ohtsubo will become chairman.

The maker of Lumix cameras is Japan’s largest appliances maker, and the world’s biggest maker of plasma TVs, Bloomberg reports.

 

The board of directors at Olympus named new executives for the problematic company, and then turned in its own resignation.

Hiroyuki Sasa of the medical equipment marketing arm was named president; Yasuyuki Kimoto, chairman. Both appointments are pending shareholder approval, the Associated Press reports.

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CineSquid camera mount sticks anywhere

Austin, Texas-based Cinetics says its suction cup camera mount system allows filmmakers to capture previously unthinkable shots by attaching their camera to smooth surfaces, from any angle, so that “even amateur filmmakers can capture stunning, Hollywood-style camera shots.”

The $235 CineSquid combines powerful suction cups with the flexible GorillaPod Focus tripod and a BallHead X to create a portable and modular system “that filmmakers can take anywhere,” the company says.

The device can yield high-speed car chases, aerial views from the belly of an airplane up to 200mph, and scenic shots from a boat, train or any moving vehicle, Cinetics adds.

The CineSquid is an innovative follow-up to Cinetics previous devices, the CineSkates tripod dolly — and is available as a $120 add-on to that product as well.

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MPEG LA offers patent license for 3D video

MVC is a codec for encoding and decoding video — and the 3D video standard used in Blu-ray and other 3D video products. Now the MPEG LA association is offering an MVC Patent Portfolio License.

The joint license includes patents that are essential to the Multiview Video Coding standard for encoding and decoding 3D video.

The technology “enables consumers to receive the benefits of 3D video,” MPEG LA says. “This license gives renewed testimony to the ability of the MPEG LA Licensing Model to address real world market demand for access to standard-essential patents owned by multiple parties through a convenient, fair, and efficient one-stop licensing alternative enabling users to focus their resources on developing new competitive products instead of uncertainty and conflict. By balancing patent users’ interest in reasonable access with patent owners’ interest in reasonable return, MPEG LA creates the opportunity for adoption of new technologies and fuels innovation.”

MVC essential patent holders include Dolby Laboratories Licensing Corporation; Fraunhofer- Gesellschaft zur Foerderung der angewandten Forschung e.V.; Fujitsu Limited; Hewlett-Packard Company; Hitachi Consumer Electronics Co., Ltd.; Koninklijke KPN N.V.; LG Electronics Inc.; Mitsubishi Electric Corporation; Nippon Telegraph and Telephone Corporation (NTT); NTT DOCOMO, Inc.; Panasonic Corporation; Sharp Corporation; Sony Corporation; The Trustees of Columbia University in the City of New York; and Thomson Licensing.

MPEG LA operates licensing programs consisting of more than 6,000 patents in 74 countries with 157 Licensors and some 5,000 Licensees.

More information is here.

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Where are the profits in digital imaging? Kodak, Printing, and Service

[Commentary] In our last editorial, we discussed Kodak’s unpreventable fall from the profits it enjoyed in the days of film and pricey photofinishing products: even the most successful company in consumer digital imaging is not making enough to counter those losses.

Digital imaging provides customers with all-but free enjoyment of photography: once a camera is purchased (or provided with a phone) each shot has none of the costs once standard with film, processing, and printing. Sharing those images with others no longer requires duplicate prints — just email, or better yet, a Facebook account.

Given that no one stands to make the money once garnered from analog photography, what can the industry do now?

Kodak announced that in its next incarnation it will again focus on output: both home photo printing and large-scale high-volume commercial reproduction.

These goals seem to more reflect the experience of CEO Antonio Perez during his years at HP than they do the best potential use of Kodak’s heritage.

Those goals are not the best bet on how people will use imaging in the future.

What should the company focus on? And is that area also a better option for many others in the photography industry?

Simply put: the future of any output is quite limited. Hard copy will never go away completely, but it is inarguably a declining market in terms of overall volume. Year after year, fewer photos will be put on paper. As everyone has a screen in their pocket on which to see pictures — their phone — as well as PCs, iPads, and who knows what else in the future — there is simply less need for a print.

Even seeing one’s best pictures in a large format no longer requires an 8×10 or larger print —now-ubiquitous big-screen TVs with HDMI connections to a camera can show everyone’s photos, and a 42-inch backlit color screen beats all but the best and biggest prints. Just think: all of us can now see our personal photos reproduced larger and with more brilliant color than anything short of top-end pro reproduction. Almost no one enjoyed that 10 years ago; now anyone can.

That trend of screens over prints is never going to reverse. This week, analysis from IDC showed even HP stands to make much less revenue on printer supplies.

So if the profits of the future are not going to be made on consumables — from where will they come?

As has been also argued to death everywhere, camera sales decline as everyone gets a smart phone. So image capture hardware is also unlikely to be the best bet.

Millions are finding that Facebook and the like provide almost everything else they need from photography: display, an audience, sharing, visual communication, feedback… Add in some full-resolution redundant storage, and what else do you want?

We have long argued the need for services. Perhaps such businesses do not scale as simply as adding another server, running the camera manufacturing line a bit longer, or, once upon a time, selling vastly more processing and printing consumables.

But what is scaling today is the number of images captured.

What is not growing are the options that allow average photographers to easily access and enjoy the thousands of photos they take.

It is no secret that most people take picture after picture with which they do nothing.

The industry’s response has merely been trying multiple ways to convince the would-be customer to pay to do something with their own photos.

Kodak’s original slogan points out the fallacy of this strategy. “You push the button, and we’ll do the rest.”

Today vendors — Kodak included – instead tell customers: “You push the button; then you have to get the photos from the camera to some other device; then you have to get the photos to a kiosk or online service; then you have to spend a lot of time organizing, editing, and enhancing those photos. Then you have to pay to do something with them.”

All that hardly translates to “We’ll do the rest.”

Imaging businesses: rather than complain today’s photographers don’t pay to “do something” with their photos — think about what you can do for them. (Yes, for a fee — we’re not advocating charity here.)

How does this scale?

Kodak itself is going after enterprise-level imaging services, just as HP has lately profited from focusing on corporate computing needs instead of home printer sales.

For smaller businesses, it can mean online imaging services.

For local retail shops, it can mean handholding customers through the image management, selection and enhancement that now stymies many from advancing onwards to photo output of any kind. Or, better yet, rather than handholding, take the task in hand completely and offer full-service imaging: customers bring in a laptop filled with photos, and leave with their best shots organized, enhanced, and even laid out into an onscreen and/or custom-printed photo book. Or calendars, slideshow videos on DVD, and other non-paper-based products and services.

Yes, any of these “solutions” have been available in some degree or another for years; the point here is not to proscribe specific actions or products, but to advocate for a return to “We’ll do the rest” — and away from what seems to be the current paradigm for the photo business: Self-service.

Just as Kodak made significant profits from simplifying consumer photography, perhaps other companies can now profit from further simplifying the consumer’s imaging tasks — or, better yet, eliminating those tasks altogether, letting the consumer “do” nothing but enjoy imaging.

“We’ll do the rest.”

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CEA to benchmark imaging industry’s customer service

The Consumer Electronics Association launched the Service Excellence Benchmark which it says measures customer satisfaction and service quality in the digital imaging industry.

It will enable companies to “evaluate their position in the marketplace by understanding their customers’ attitudes and impressions of their company,” CEA says. “The digital imaging industry is highly competitive, and a company’s customer service performance often determines brand loyalty”

Run by Service 800, the benchmark uses interviews with customers to provide feedback data.

CEA’s Service Excellence Benchmark will be available to all companies in the digital imaging industry, with a discount for CEA members.

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Walnuts makes albums from Facebook friends’ photos

While services for creating custom photo books from Facebook images abound, most work only with your own images. Walnuts’ new Facebook app also automatically builds digital or printed books — but it can do so for your friends, using their images.

“You can either create a book from your most popular photos, or select your favorite albums,” the company says.” “Each book contains a mixture of photos, photo comments, and status updates. You can delete unwanted photos or status pages. The content will automatically be replaced by your next most popular photo.”

The $10-20 books look like hand-written journals instead of standard slick-looking albums.

Techcrunch has more here.

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Alien Skin exposes effects

Alien Skin Software says its Exposure plug-in provides accurate film simulation and a wide range of creative effects in a simple interface — and version 4 is “the most significant update to Exposure since its creation,” and is faster and easier to use.

The $249 Exposure brings all the creative tools of film photography to the world of digital, the company says, such as discontinued films, dark room tricks, and lo-fi camera quirks.

New texture overlay effects are built from high resolution photos of light leaks, dust and scratches, and borders. This adds detail to new presets for alternative photographic processes like cyanotype, lith printing, and wet plate photography, say the developers.

More information is here.

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